Embarking on The Tingology sets you on a wild ride—think less tidy museum, more “Wow, is that really supposed to do that!” moment. Now, if you’re daydreaming about magical ink splashes and mesmerizing color blooms, pressing start with the right gear is half the battle. I wish someone had sat me down, handed me a coffee, and said, “Let’s talk supplies, friend—because your choices can make or break those first joyful experiments.”
Let’s get paintbrush-deep. Brushes might seem simple, right? But, in alcohol ink painting, synthetic bristles trump natural ones. Alcohol inks eat away at traditional hair. Synthetic won’t weep or wilt. Size matters too: start with medium flat brushes. Leave the calligraphy brushes for another time; alcohol inks flow very differently compared to water-based pigments.
Paper isn’t just paper here. The secret is using non-porous surfaces. Not just any old sketchbook or printer paper. Look for Yupo paper—made from plastic, not trees. Yupo refuses to sop up the ink; instead, it lets the colors dance and mingle. If you’re on a budget, glossy photo paper works, but colors dry faster and can sometimes streak. Experiment with small pieces before going big; you don’t want the heartbreak of wasting an entire (not cheap) Yupo sheet.
Choosing inks will make you feel like a kid in a candy shop. There are many brands (Ranger, Jacquard, Copic). Alcohol inks are highly pigmented and dry quickly. Beginners find it easier with lighter colors. You can always add dark, but you can’t take it away. Pick three or four colors to start; your learning process will thank you.
Don’t forget isopropyl alcohol. 91% or higher. This is the wizard that moves ink around and creates those good old “bloom” effects. Grab a dropper or a spray bottle—both act as your magic wands. Little secrets: a straw lets you blow ink for feathered looks; cotton swabs correct (and sometimes create) wild accidents.